While the action hero of the 1980s was often a police officer, military man and the like, a popular theme of the 1970s film was that of a regular man thrust into an extraordinary and dangerous situation. The 1976 John Schlesinger film, Marathon Man is one such example. In it, Dustin Hoffman plays a man named Thomas (often referred to by his nickname, Babe) who is a graduate student attending Columbia University and also training to run a marathon. Unfortunately, he becomes the target of a vicious, exiled Nazi named Szell (Laurence Olivier) because Szell assumes that he knows the whereabouts of some stolen jewels. Szell comes to this conclusion because Babe's brother Doc (Roy Scheider) is a member of a mysterious U.S. government group known as "the Division" and he was the last person in possession of the diamonds. Once Doc, who refuses to give any information about them is murdered by Szell, Szell goes after Babe in a desperate attempt to recover the treasure.![]() |
| A bad combination. |
For the record, I don't like Dustin Hoffman at all. He's one of those regular guy actors that everyone loves (Jimmy Stewart is an example from another era) that really annoys me. I can't even really explain it, I'm just repelled by him. I think maybe it's the self-awareness he has vis-a-vis his regular guy status. Also, a movie star should have something remarkable about them. I don't mean great physical beauty or anything-- just something compelling. I don't see anything really compelling in Dustin Hoffman. Which is why I think this movie is so great. Despite my lukewarm feelings for Dustin Hoffman, I can watch this movie over and over again. It's just that good. I don't mind that he's in it because the point is that it's the story of an average guy in an above average situation. In fact, it is his averageness that makes the movie work.
Hoffman's presence in Marathon Man makes clear that this is a film concerned with the survival instinct. Babe is an intellectual, a man seemingly uncomfortable with asserting himself or dealing with confrontation who is forced to fight for his life. In many ways, this sort of action film is much more challenging than later films as it maintains a realistic tone all while showing scenes of incredible violence and danger. More to the point, the protagonist is shown to be greatly affected by these incidents. The action hero of the 80s is unfazed by all that occurs around him. He dodges bullets and explosions without expression or makes a joke of them. Babe is clearly shaken by the events he has experienced and it is his emotional transformation that makes this film.

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